Protection
Zakiram belongs to the cultural category of a protector figure.
ENTRY COLLECTION · ES-BR-ZL-02
An ES Collection Zakiram piece made from a machine-moulded base and finished individually by hand. After production, the piece was included in a large-scale Buddhist prayer ceremony together with other devotional objects, adding a genuine religious context without turning the object into a supernatural promise.
THE OBJECT · ABOUT THIS PIECE
An ES Collection Zakiram piece made from a machine-moulded base and finished individually by hand. After production, the piece was included in a large-scale Buddhist prayer ceremony together with other devotional objects, adding a genuine religious context without turning the object into a supernatural promise.
THE PROCESS · WHY THIS PIECE IS DIFFERENT
ES pieces begin with a machine-moulded form, providing a more consistent base structure. Colour and visible details are then finished by hand by workshop artisans or workers. After completion, the pieces are included together with other devotional objects during a large-scale Buddhist prayer ceremony, where they remain present for collective prayers and blessing rites. This series therefore combines repeatable production with a real layer of hand finishing and religious context.
THE FIGURE · ICONOGRAPHY
Zakiram is a protector figure associated above all with Zaki Temple in Lhasa. Historical scholarship treats her tradition as layered and connected with multiple narratives rather than one simple, uncontested biography. She is therefore best understood as a specifically Lhasa-centred protector tradition within Tibetan religious culture.
Zakiram belongs to the cultural category of a protector figure.
Her identity is especially connected with Zaki Temple.
Multiple stories and identities developed around the tradition over time.
Her cultural meaning has continued to evolve through practice and popular devotion.
CULTURAL BACKGROUND
Zakiram is surrounded by many popular stories, but documentary research presents a more complex picture. Studies of Zaki Temple show a tradition shaped over time through Tibetan religious practice and wider cultural exchange. That layered history is part of the figure’s interest: Zakiram is not a generic protector image, but a subject rooted in a particular place and a living local tradition.
THE MAKING · PROCESS
The form was produced by machine moulding and then individually hand-painted by workshop artisans or workers. After finishing, ES pieces were placed together with other devotional objects during a large-scale prayer ceremony for collective prayers and blessing rites.
DETAILS · INDIVIDUAL RECORD
CARE
Keep dry and away from prolonged direct sunlight, high humidity and excessive heat. Dust gently with a clean, soft, dry cloth. Avoid alcohol, solvents, abrasive cleaners and direct contact with water.
ENTRY COLLECTION · ES-BR-ZL-02
An ES Collection Zakiram piece made from a machine-moulded base and finished individually by hand. After production, the piece was included in a large-scale Buddhist prayer ceremony together with other devotional objects, adding a genuine religious context without turning the object into a supernatural promise.
THE OBJECT · ABOUT THIS PIECE
An ES Collection Zakiram piece made from a machine-moulded base and finished individually by hand. After production, the piece was included in a large-scale Buddhist prayer ceremony together with other devotional objects, adding a genuine religious context without turning the object into a supernatural promise.
THE PROCESS · WHY THIS PIECE IS DIFFERENT
ES pieces begin with a machine-moulded form, providing a more consistent base structure. Colour and visible details are then finished by hand by workshop artisans or workers. After completion, the pieces are included together with other devotional objects during a large-scale Buddhist prayer ceremony, where they remain present for collective prayers and blessing rites. This series therefore combines repeatable production with a real layer of hand finishing and religious context.
THE FIGURE · ICONOGRAPHY
Zakiram is a protector figure associated above all with Zaki Temple in Lhasa. Historical scholarship treats her tradition as layered and connected with multiple narratives rather than one simple, uncontested biography. She is therefore best understood as a specifically Lhasa-centred protector tradition within Tibetan religious culture.
Zakiram belongs to the cultural category of a protector figure.
Her identity is especially connected with Zaki Temple.
Multiple stories and identities developed around the tradition over time.
Her cultural meaning has continued to evolve through practice and popular devotion.
CULTURAL BACKGROUND
Zakiram is surrounded by many popular stories, but documentary research presents a more complex picture. Studies of Zaki Temple show a tradition shaped over time through Tibetan religious practice and wider cultural exchange. That layered history is part of the figure’s interest: Zakiram is not a generic protector image, but a subject rooted in a particular place and a living local tradition.
THE MAKING · PROCESS
The form was produced by machine moulding and then individually hand-painted by workshop artisans or workers. After finishing, ES pieces were placed together with other devotional objects during a large-scale prayer ceremony for collective prayers and blessing rites.
DETAILS · INDIVIDUAL RECORD
CARE
Keep dry and away from prolonged direct sunlight, high humidity and excessive heat. Dust gently with a clean, soft, dry cloth. Avoid alcohol, solvents, abrasive cleaners and direct contact with water.